Wednesday, November 13, 2019
Adam De La Halle And Ars Antiqua Time Period :: essays research papers
 Adam De La Halle and Ars Antiqua Time Period      Life Summary    Adam de la Halle is often referred to as the greatest of the long succession of  post Medieval musicians. He was a poet, musician and innovator of the earliest  French theater. He became famous for his use of polyphony and his theatrical  productions. Adam originally trained for the clergy (the people of the church).  Marriage interfered with his musical career; but with the help of some noble  benefactors he was able to pursue musical studies at the University of Paris.  The remainder of his life was spent in service of noble patrons.    His Music    Adam de la Halle was of French origins. All of his lyrics were written in French.  Much of his early music was monophonic which shortly after became homophonic and  then transformed into polyphonic. Much of his polyphonic work was set for 3  voices or instruments. If a piece of music is monophonic, then it has only a  melody line and no harmony. Much of the medieval music was monophonic. If the  music is homophonic then there is only one melody line, but it may be played by  two or more instruments. Many of the songs that were originally monophonic were  easily transformed into homophonic by add extra voices or instruments.  Polyphonic is the type of music we hear today. Polyphonic is when there is a  melody line accompanied by harmony. A considerable amount of Adam de la Halle's  polyphonic work was designed for plays. One of Adam's manuscripts contains the  oldest known existence of the sharp sign. In 1872 his music was officially  published.    Ars Antiqua Time Period    Ars Antiqua is Medieval Latin for "ancient art". Ars Antiqua was the period of  musical activity in 13th century France. The music was characterized by the  increasing sophistication of counterpoint (the art of combining simultaneous  voice parts). Modern music historians classify the whole 13th century as Ars  Antiqua where as older historians classified only the later half of the 13th  century as Ars Antiqua. This was the time period when music started to become  more formal. In this time period, musical plays were just becoming popular and  in 1283 one of the first operas was performed.    Most of the music of the Ars Antiqua time period is anonymous. Two important  figures stand out among the anonymity. PÃ ©rotin, who became famous in the late  12th century, composed the earliest known music for four voices. Franco of  Cologne, who flourished in the middle of the 13th century, was a theorist who  organized a new, more precise system of rhythmic notation, the direct ancestor    					    
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